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GWALIOR
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GWALIOR
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GWALIOR
SIGHTSEEING
GENERAL
INFO
Dominated by one of the mightiest forts of Asia, and steeped in
historic tradition, Gwalior is an excellent entry point into
India's largest and geographically most attractive state: Madhya
Pradesh. In legend Gwalior's history goes back to multitude of
reigning dynasties of the great Rajput clans of the Pratiharas,
Kachwas and Tomars who have left indelible etchings of their
rule in this city of palaces, temples and monuments. The
magnificent mementoes of a glorious past have been preserved
with care giving Gwalior a unique and timeless appeal. In the
8th century AD its chieftain Suraj Sen was cured of leprosy by a
hermit saint, Gwalipa in gratitude he named the city after his
name.
The new city of Gwalior became, over the centuries,
the cradle of great dynasties and with each, the city gained new
dimensions from the warrior kings, poets, musicians and saints who
contributed to making it a capital renowned throughout the country and
today, a modern Indian city, vibrant and bustling.
SIGHTSEEING
GWALIOR FORT
The legend goes that 2000 years ago, after being separated from his
attendants, a weary and thirsty Rajput King, Suraj Sen stumbled upon the
sage 'Gwalipa', who directed him to a pond. As he splashed water over
himself, he was cured of his leprosy too. The grateful king, named the
pond 'Suraj Kund' and founded the fort which was named Fort Gwalior,
after the sage.
Gwalior Fort is one of
India's most famous forts. It has withstood the onslaught of many
warring dynasties, each of whom have left their traces in various
monuments in and around the fort. The sandstone fort, rising 300 ft. on
a steep, flat topped hill, stands out in its grand isolation. As aptly
described by Emperor Babur, 'the fort of Gwalior is like a pearl in the
necklace among the palaces of India. The son-et lumiere show at the fort
brings alive the rich historic traditions to the traveler. Indeed, it is
one of the most spectacular shows in the country.
The walls and caves
inside the Gwalior Fort have intricately carved Jain sculptures. A rich
reminence of the Jain influence in this area through the 13th
and 14th centuries.
GUJARI MAHAL
Within the Fort are some marvels of medieval architecture. The 15th
century Gujari Mahal is a monument to the love of Raja Mansingh Tomar
for the intrepid Mrignayani, a tribal Gujar queen. The outer structure
of the Gujari Mahal has survived in an almost total state of
preservation; the interior has been converted into an archaeological
Museum housing rare antiquities, some of them dating back to the 1st
century AD. Amongst the 36 greatest singers of India, 15 are known to
have learnt the art of the their music here, including the immortal
Tansen.
JAIN SCULPTURES
The long ascent
on the southern side climbs up through a ravine to the fort gate. Along
the rock faces flanking this road are many Jain sculptures, some
impressively big. Originally cut into the cliff faces in the mid-15th
century, they were defaced by the forces of Babur in 1527 but were later
repaired.
The
images are in five main groups and are numbered. In the Arwahi group,
image 20 is 17m-high standing sculpture of the first Jain tirthankar
(revered teacher or saint), Adinath, while image 22 is a 10m-high seated
figure of Nemnath, the 22nd Jain tirthankar. The south-eastern group is
the most important and covers nearly 1Km of the cliff face with more
than 20 images.
MAN MANDIR PALACE
Within the fort,
the most important structure is Man Mandir, built by Raja Man Singh, the
greatest of the Tomar rulers. This graceful palace was noted by
Fergusson as 'the most remarkable and interesting example of early Hindu
palaces' . The walls are inlaid with enameled tiles of blue, green and
yellow decorated with animal motifs. Two courtyards within, lead into
rooms which are richly ornamented with jali-work, cornices, mouldings,
geometric and flora patterns in a mosaic of tiles.
The
palace was once decorated with precious jewels which were removed by
plundering Mughals. who later turned the fort into a political prison.
The Archaeological Museum housed here, has an excellent
collection of carving, images, coins, inscriptions paintings and other
antiques, dated as early as the 3rd century BC, till the 13 century AD.
TELI KA MANDIR
This temple probably
dates from the 9th century but has been restored. Its peculiar design
incorporates a Dravidian roof with Indo-Aryan decorations (the whole
temple is covered with sculptures). A Garuda tops the 10m-high doorway
.Here princes and princesses came to be betrothed and received education
on the aspects of married life. The walls of the temple slope upward and
from a ridge from which the roof rises.
GHAUS MOHAMMED'S TOMB
the sandstone mausoleum of the Afghan's prince, Ghaus Mohammed, is
also designed on early Mughal lines. Particularly exquisite are the
screens which use the pierced stone technique as delicate as lace.
SAS BAHU TEMPLE
The Sas Bahu,
or Mother-in-Law and Daughters-in-Law temples, stand close to the
eastern wall about midway along that side of the fort. The two temples
are similar in style, and date from the 9th to 11th centuries. Sas
Bahu ka Mandir is also dedicated to Lord Vishnu. Originally known as
the 'Sahasrabahu' temple, this is probably the most ancient
structure within the fort walls, built by Mahipala, the Kachchwan
King, in the early 11th century AD. The larger temple has an
ornately carved base and figures of Vishnu over the entrances, and four
huge pillars carry the heavy roof.
GURUDWARA DATA BANDHI
CHHOD
Between the Teli Ka
Mandir and the Sasbahu temples is an impressive gleaming white Sikh
gurudwara, or temple.Built in the memory of Guru Hargovind Saheb the
sixth Sikh Guru, who was imprisoned here by Emperor Jehangir for over
two years.
ARCHAEOLOGICAL MUSEUM
The museum is within the Gujri Mahal. Built in the 15th century
by Man Singh for his favourite queen, Mrignayni, the palace is now in a
rather deteriorated condition. There's a large collection of Hindu and
Jain sculptures and copies of the Bagh Caves frescoes.
JAI VILAS
PALACE & SCINDIA MUSEUM
Although the current maharaja still lives in the palace of Scindia
family, 35 rooms are now a museum. It's full of the bizarre items
Hollywood maharajas are supposed to collect, such as Belgium cut-glass
furniture (including a rocking chair), and what looks like half the
tiger population of India, all shot, stuffed and moth-eaten. Modes of
transport range from a Rolls Royce on rails to a German bubble car. Then
there is a little room full of erotica, including a life-sized marble
statue of Leda having her way with a swan. But the pièce de resistance
is a model railway that carried brandy and cigars around the dining
table after dinner.
The main
durbar hall is impressive. The gold paint used around the room is said
to weigh 58kg, and the two giant chandeliers are incredible; they each
hold 248 candles, are 12.5m high and weigh 3.5 tonnes apiece - so heavy
that before they were installed, elephants were suspended were suspended
from the ceiling to check that it could take the weight.
TANSEN'S TOMB
A pillar of Hindustani classical music, the great Tansen, one of the
'nine-jewels' of Albar's court lies buried in Gwalior. The memorial of
the great musician has a pristine simplicity about it, and is built in
the early Mughal architectural style. More than a monument, the tomb is
part of Gwalior's living cultural heritage; it is the venue of a
national scale music festival, held annually in November-December.
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